Tuesday, 17 June 2025

Journey Through Time

It's been eight years since we last updated this blog (all three of us are now fathers!), but I wanted to share some information I recently learned about Journey Through Time, the time machine presentation that used to be in the Viola MacMillan Mineral Gallery (1992-200?) at the Canadian Museum of Nature.
 
Image courtesy Scott Weber

Journey Through Time was a 14-minute audiovisual show (presented alternately in English and French), with two screens and lots of moving spotlights, taking the audience on a tour of earth's geologic history. The show, created by the now-defunct company VISTA Collaborative Arts, was narrated by an unseen scientist and the ship's computer, and a robot called T-1 (seen above) frequently appeared on the secondary monitor, usually causing problems. The premise was that the time machine was invented to help date rocks (its proper name was the TMRDL, or Time Machine Rock Dating Laboratory), and this was demonstrated using six geologic specimens.

Image courtesy Scott Weber 

In an unusual choice, the six rocks talked, and each had a distinct personality. To the best of my recollection, they were:

- "Gramps," a very old rock, who spoke with the voice of an old man
- a meteorite, older than the moon, who spoke like a Vegas crooner
- a sedimentary rock containing an ammonite fossil, who spoke with a German accent
- a volcanic rock (pumice?), who just made baby giggles because it was so young
- a piece of lava formed by an underwater volcano, who I think spoke like a valley girl
- a crystal of some kind, but I don't remember its voice or personality


An excerpt from the Spring 1993 newsletter of the Friends of Mineralogy, Pennsylvania Chapter.

I absolutely loved Journey Through Time, and it fueled a great deal of my imaginative play as a child. When I pretended to travel back in time -- which I did a lot -- my model of what time travel looked like wasn't Doctor Who or Back to the Future; it was this exhibit.

I am determined to one day obtain a copy of the video, and to share it here. While I haven't succeeded yet (the museum is looking!), I did manage to get in touch with one of the time machine's creators, Randal Ormston, who shared a bunch of information with me. He also got in touch with his former partner, Scott Weber, on my behalf, and obtained the images that you see in this post.

With Randal's permission, I am sharing his words here, edited for clarity.

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VISTA Collaborative Arts was my partner Scott Weber and I, and we did immersive storytelling projects worldwide for 30 years.

Immersive experiences at museums are very expensive.  The last one we did, BOOM! at the Britannia Mine Museum outside of Vancouver, was $3 million. But we won the academy award of our industry for that educational show, the Thea Award of the Themed Entertainment Association in LA. Many of the same members as the Oscars and Emmys also do these experiences… Disney, Universal Parks. Spielberg and Canadian James Cameron are members for example.

I lived in northern Canada and when we got TV, the Disneyland show (in B&W) captivated me. At age 9 I knew everything about the planned Disneyland Park before anyone else knew it was a thing. I knew that the buildings were built like movie set scale. 7/8 height for the first floor and then recedingly shorter heights for the “forced perspective” to get the guests to feel tall and important in that environment. It was the first immersive experience park. Crafting immersive experiences became my professional quest.
 
I think we created the Time Machine experience in 1992.
 
Not sure who suggested the time machine idea… might have been me since we are using talking rocks! I was the writer, creative director and producer; my partner was co-producer and directed the video elements.
 
The Museum asked for an animatronic character but their budget was not realistic. At the time we had created a three arm robot for another project in Japan and were in the process of programming it. I replied with a proposal to do the project that was more than double their budget. We obviously got the job. I asked why they chose us when all other submissions I assume would have respected their budget. The response was “Because you do bizarre things!”  

We did a video in Hollywood of our robot for Japan where it did movements programmed to my script. We used that on the video screen. The voices for the rocks were all on separate audio tracks. The show control was programmed for all audio, video, lighting and two languages.
 
As producers we choose from a list of colleagues that have expertise in many areas: digital animation, cel animation, sound design, show control, editors, software designers, as well as many different hardware suppliers from flight simulators to 70mm cameras, RED cameras, drones, etc. Vancouver is second to only Hollywood from a wide array of talent in the film and video business. It is the province’s #2 industry.
 
Your memory is better than mine for the rock personalities. I just remember the crafting of personalities as it was a way to underline the physical characteristics of each one.
 
At the time I just recovered from a bad ankle sprain so in the set for the Time Machine we deposited a first aid kit and my crutches.
 
We no longer have that video as it was owned by the museum; they may have the master copy. It will be on SONY Betamax Pro. If they have the show it will be on laserdisc.
 
You aren’t the first person to tell Scott and I that our immersive experiences at Museums or World EXPOs changed how they experience life or see the world. Thanks for that opportunity for me to go down memory lane!!

VISTA Arts (without the collaborative element) is just me now with a different creative focus. Scott is an instructor in directing at one of the universities in Vancouver.
 
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Thank you so much, Randal and Scott! And dear readers, if you have any photos, or footage, or memories of the time machine, please let us know in the comments.

Image courtesy Scott Weber

Tuesday, 7 February 2017

A Living Showcase of Plants

My only picture of the Canadian Museum of Nature's Plant Life exhibit, taken in the late nineties. That's my cousin.

I recently came across an article about the creation of the old Plant Life exhibit at the Canadian Museum of Nature. It's in the March-April 1980 issue of Trail & Landscape, the newsletter of the Ottawa Field-Naturalists' Club (which is still extant!).

The Plant Life hall was a real old-school natural history exhibit -- no bells or whistles, just specimens and information. And of course lots and lots of live plants! It was very serene, which I suppose was its undoing. All the Museum documents leading up to the latest renovation mention that Plant Life was one of the least popular exhibits. (See this PDF, for example.)

I liked it, though. (I also liked its neighbouring exhibit, Animals in Nature, which I'll have to write about at some point.) I was happy to discover on a recent trip to the Museum that the observation beehive (a fondly remembered fixture of the Plant Life exhibit) is still in existence, now residing in the Nature Live exhibit alongside the other live insects.

Anyway, here's the article, reproduced without permission as always, including the photos that accompanied it. I'm intrigued by the mention of the Animal Life exhibit, which was gone by the time I remember.

The citation is:
Haber, Erich. 1980. A Living Showcase of Plants. Trail & Landscape 14(2): 36-39. https://archive.org/details/traillandscape1421otta


A Living Showcase of Plants
Erich Haber
National Museum of Natural Sciences

No doubt many of you who have visited the Victoria Memorial Museum building following its opening in 1974 after a five-year renovation program have been impressed by the updated displays that form part of the permanent exhibit halls. The development of these major exhibit areas is an on-going process requiring the efforts of the Museum's scientific staff, exhibit planners, designers, model makers and painters, as well as contract personnel.

In 1974, four of the new halls scheduled for completion in the Museum of Natural Sciences were opened to the public: The Earth, Life Through the Ages, Birds in Canada, and Mammals in Canada. Two years later, a fifth hall, Animal Life, dealing with the process of evolution and the diversity of animal life living at the present time, was completed. Two remaining halls are still in preparation. Animals in Nature, a look at the geographic distribution of animals and their adaptations to various environments, is to be completed this spring, hopefully in April.

The hall of Plant Life, next to Animals in Nature on the fourth floor (east wing), has been in preparation since 1969. Structurally, the hall has been completed for several years, and, in fact, has served in part as a "mini-museum" for displays of such items as nature art, ceramic fungi, models of whales, decoys, and specimens from the Museum's collections. The Ottawa Field-Naturalists' Club's centennial exhibit was also displayed in the hall of Plant Life last year. Since January, 1979, the entire hall has been open to the public as a temporary exhibit area. Some of the original artwork, photographs and models which were prepared for the permanent exhibits have been on display, set amidst a backdrop of natural wood panels and lush plant growth.

If you have visited the Plant Life area, you may have wondered what the scope and content of the completed hall will be. You might well ask such a question since there are very few major exhibits in museums dealing with plants as the main subject that you could use as a reference point. Although most of the topics which will be treated in this hall were conceived over ten years ago, the plans for the layout of the exhibits and the manner of exhibiting the various subjects have evolved through several phases.

The physical structure of the hall was designed to accommodate the use of a large number of plants of various sizes which were to provide the cohesive element unifying the whole exhibit. The specimens themselves serve as living showcases and are arranged in plantings to demonstrate the general characteristics of major groups such as the ferns, conifers and flowering plants. They have also been selected to illustrate the diversity in growth forms as represented by trees, shrubs, vines, herbs, epiphytes and succulents. The plants serve not only as functional elements, but, as well, are arranged to be aesthetically pleasing. By their abundance and variety, they provide an atmosphere of luxuriant greenery in a hall whose purpose is to emphasize the importance of green plants within the biosphere.

The successful cultivation of the numerous plants is possible due to an overhead system of high intensity growlamps which provide approximately 1,000 to 2,000 foot candles of light in certain areas. Enclosed planters containing their own lighting system house succulents, carnivorous plants, and epiphytes on artificial trees. Illumination throughout the hall is automatically controlled with the simulated daylight period occurring at night after Museum hours. Two gardeners are required to maintain the numerous plants in the hall and those scattered throughout the Museum building.


A view of the gymnosperm planter with its representative conifers, Cycas and Ehidra. A diversity of flowering plants is exhibited in a large planter on the right and in the turret behind the archway. Photo by Harry Foster.


Plants growing in large ceramic pots hang from the ceiling in an exhibit area which will eventually house large models of a plant and a bacterial cell. The large reflector growlamps, here in the off mode, are visible overhead. Photo by Harry Foster, National Museums of Canada.


Within this framework of living plants, a storyline based on five main themes is presented: evolution of plants through the ages, biology of the main groups of organisms, plants in nature, plants and floristic regions of Canada and economic botany.

The evolution of plants through the ages is covered in a narrated slide programme supported by an exhibit of fossils, coloured reconstructions of extinct species and a 7 metre mural depicting the changes in the landscape during progressive geological periods.

In treating the biology of the main groups of organisms, emphasis is given to the basic distinction between the prokaryotic organisms (the bacteria and blue-green algae which lack nuclei and membrane-bound cell organelles) and the eukaryotic ("true-nucleated") organisms which comprise all other groups including the animals. The morphology, importance and life history of such groups as the bacteria, blue-green algae, water and slime molds, fungi, lichens, bryophytes and vascular plants are briefly reviewed. Special topics of interest relating to seed plants including pollination, dispersal of seeds and fruits, the importance of light to plants, and the structure of seed plants, are brought to life through the use of specially prepared artwork, specimens, photos and film loops. A fairly recent addition to our plans includes an observation beehive which is to accompany the exhibit on pollination.

The exhibit of plants in nature, a slide programme supplemented by a vegetation map and photo panels, presents a broad perspectus of plants in their habitats from around the world. On a more national level, the plants and floristic regions of Canada are reviewed in the hall's diorama theatre. Here, seated and with adjustable earphones provided, visitors will be able to view the movie, Plantscapes of Canada, which was filmed under the guidance of the Museum's botany staff. Eventually, eight dioramas, each representing one of the floristic regions depicted in the film, will be completed. The first diorama, now in preparation, is a representation of the Great Lakes-St. Lawrence Forest Region as seen at the Shaw Woods Nature Preserve near Eganville, Ontario. (See Albert Dugal's article on page 46.) In an adjoining area, the local flora of the Ottawa Valley is presented by way of large photo panels of specific habitats with superimposed close-ups of some of the common plants from each habitat. Preserved and mounted plants of the season will be on view in special display racks.

The last area for completion will be an economic botany exhibit. Topics such as plant fibres, spices, beverage plants, and plants and art will be developed in the coming years under the Museum's maintenance programme.

This spring, a number of permanent exhibits will be completed. Included will be plants through the ages, bryophytes, pollination, dispersal of seeds and fruits, structure of seed plants, plants in nature, part of the plantscapes of Canada, and the local flora exhibit. The installation of these exhibits represents the first phase of the completion schedule.

As you can see, the development of a major exhibit hall is a long-term project which involved considerable planning, documentation and resources. Visitors to the Museum of Natural Sciences can see the progressive development of a unique exhibit hall on plant life that represents an unusual display greenhouse complete with artwork, photos, films and specimens.

Sunday, 3 January 2016

National Museum of What?

Google News' archive of old newspapers is proving to be a fascinating source of material for this blog.

For example, I just learned that in the 1980s, the National Museum of Man in Ottawa had a hell of a time trying to figure out what their new name should be. They wanted to change their name because it was sexist, and they wanted the name change to coincide with their move to a new building across the river.

But what should the name be? The museum proposed about 50 names, including these three:

Museum of Man and Woman
Museum of Mankind
Museum of People

None of these were quite right, so in the winter of 1984-85, they opened it up to the public. They received about 2,000 letters, over half of which favoured the original name, National Museum of Man. Here are some of the other suggestions:

Museum of Canajun Injunuity [presumably a joke]
Museum of Civilization
Museum of Man and Nature
Museum of Mutation
National Heritage Museum [the second most popular, after the original name]
National Museum of All Men
National Museum of Herstory or History [hmm!]
National Museum of Man (Embracing Women)
National Museum of Man and His Wife
National Museum of Men, Women and Gays [yikes]
National Museum of Others
National Museum of Post-Matriarchal (Patriarchal) Culture [what?]

This wasn't getting them anywhere, so a committee of experts was created in January 1986 to sort it out for good. Presumably it was they who picked the name "Museum of Civilization", although I'm not sure when or why the change was made from "National Museum" to "Canadian Museum".

Sources:
Montreal Gazette, 30 January 1985
Free Lance-Star, 14 February 1985
Montreal Gazette, 25 January 1986

Friday, 20 November 2015

Old Canada Hall Walkthrough

The Canadian Museum of History has posted a nice interview with Douglas Cardinal, the architect who designed the museum building back in the eighties. Cardinal is also the lead architect for the new Canadian History Hall (opening in 2017), which provides a nice bit of continuity.

I'm going to miss the old Canada Hall, though. Here's a walkthrough that Andrew and I shot on 28 August 2014, just four days before it closed for good.


I hope that the new hall retains the immersive quality of the old one.

Sunday, 12 July 2015

Airplanes in 3D

My good friend and fellow Ottawa blogger Charles Akben-Marchand has posted some 3D photos of the storage facility of the Canada Aviation and Space Museum.

Grab some red-and-blue 3D glasses and check them out!

Tuesday, 16 June 2015

Take the Sci & Tech Reopening Survey!

The Canada Science and Technology Museum is soliciting public opinion on the plans for their reopening in 2017. There's only four days left to take their survey, featuring concept sketches of the new facade and new exhibits, so take it now!


My favourite thing is the plan for the Transportation exhibit. The locomotive room was always the coolest thing in the museum -- you don't have to be a train fanatic to get a kick out of a big room full of trains -- and judging from the picture above, they plan to extend the concept to canoes, bicycles, snowmobiles, and everything else. Looks awesome!

But that's just my opinion. Tell them what you think!

Sunday, 1 March 2015

Akeley's Ark


The dioramas in the American Museum of Natural History's Hall of African Mammals are like magic windows, glowing internally with reflected light.

Like everything else in New York, the sheer scale of the Hall is impressive. The dioramas are bigger than any I'm used to, and most of them contain a number of individual specimens, not just one or two. And there are two levels!

Not to mention the centrepiece of the Hall, a herd of African elephants. One of them was shot by Teddy Roosevelt, although I don't know which one.


The Hall was the brainchild of taxidermist Carl Akeley, who was worried about the disappearance of Africa's wildlife as agriculture and civilization spread across the continent. He wanted to ensure that there was some record that these animals had existed.

He also wanted to use the Hall to drum up public support for conservation. It worked! Akeley himself was instrumental in persuading the King of Belgium to create Virunga National Park to protect the mountain gorillas.

Unfortunately, the northern white rhinoceros, pictured in the diorama above, hasn't been so lucky. It was reported just last December that one of the last six individuals has died.


The gerenuk, my favourite antelope.

Akeley was, by all accounts, a badass. He was once attacked by a leopard and killed it with his bare hands. He also more or less invented modern taxidermy. This photo from LIFE magazine (24 May 1937) explains the process better than I ever could:


The attention to detail in sculpting the muscles really shows. Look at the subtlety of the facial muscles of this Grevy's zebra:


Equal to Akeley's desire to preserve Africa before it was gone forever, was his desire to bring Africa to you. In an age before David Attenborough specials, it wasn't easy for an average North American to see African wildlife in its natural habitat.

Detail of gemsbok diorama

To that end, every diorama was based on an actual location. (Museum artist Stephen Quinn visited the site of the gorilla diorama a few years ago.) Fanatical about accuracy in every detail, Akeley and his team catalogued all the plants in the area, and collected everything from dirt to fallen leaves, all of which ended up in the dioramas.


Colour photography wasn't in widespread use yet, and anyway, cameras don't capture colour in the same way that your eye does. So artists painted "colour notes" in the field so that they could accurately reproduce the colours when they got back to New York. Above are the colour notes for the plants in the mandrill diorama (source).


Here you can see the lighting setups for dioramas representing two very different environments and lighting conditions -- bongos in a shadowy bamboo forest, and gemsboks in the baking Kalahari desert. The lights are mounted behind a "window" right above the glass panel that you look through.

The bongo diorama also contains a small mirror, hidden from view, that reflects a gleam into the bongos' eyes.


This diorama, of hunting dogs at sunrise, features my favourite lighting effect in the whole exhibit. One main light shines onto the backdrop, illuminating the spot where the sun is rising above the horizon. The effect is subtler than it appears in this photo; in person, it really does look like the glow is emanating from the rising sun.

New York Times, 17 May 1936

Several times during my visit to the Hall, I saw people standing in front of the gorilla diorama, taking pictures of it with their cell phones. Silhouetted against the glass, elbows out to their sides, their pose looked identical to that of the big male gorilla in the centre of the diorama. I wish I'd gotten a photo of that.

Carl Akeley died in 1926, before the Hall was completed. He was on a trip to collect material for the gorilla diorama. He died, and was buried, very close to the location depicted in that diorama, a location he considered to be the most beautiful place in the world.

Libyan desert

If you want to see more of Akeley Hall of African Mammals, this Flickr user has some awesome photos of the dioramas taken with a fisheye lens. And this amazing online exhibit on the AMNH website has a ton of archival materials relating to the Hall.

Colobus monkeys

Sources:

Preston, D.J. 1986. Dinosaurs in the Attic: An Excursion Into the American Museum of Natural History. Ballantine Books, New York, 308 pp.

Quinn, S.C. 2006. Windows on Nature: The Great Habitat Dioramas of the American Museum of Natural History. Abrams, New York, 179 pp.